Trevor Le
Tuesday, 1 July 2014
Monday, 30 June 2014
Experiment Three
Experiment Three
Dropbox
https://www.dropbox.com/sh/fdnohslisqo2lth/AAAhb-QZGEntHAQh2ZVxnZ3sa
Final Lumion Environment
Final landscape that resembles the cave of Son Doong and the folly beneathThe Moving elevator capsule seen hanging below the university
Lecture theatre at the front of the building
The moving elevator as seen from above
Gallery located opposite of the workshop for easy transport of work
Draft Lumion Environment
Chosen Textures
Textures
Perspectives
Valley
Son Doong Cave Vietnam
Mash Up
Blue - http://architectureau.com/articles/frontier-learning/Red - http://sourceable.net/exposed-steel-combines-architecture-and-engineering/
Pink - http://sourceable.net/new-urban-park-designed-abu-dhabis-cracked-desert-floor/
The future of tomorrow is linked to adopting a focus on structural steel and sustainability. A collaboration between architecture and engineering helps to produce network of social and meeting places. In skilled hands structural steel can link buildings and complex geometry. Instead of denying architects’ control computer code allows engineering and architecture to developing new possibilities. buildings surrounding New York’s Times Square have evolved to encourage the mixing of architecture and structural engineering to create beauty using a network of steel.
Wednesday, 7 May 2014
Experiment Two
Kenjo Kuma - architecture as a frame for nature
Kisho Kurakawa - Architectural impermanence as a challenge to the idea of monuments
Textures
The textures were designed to assimilate the ideals behind each monument which can be seen in the framing nature of one half and the heavy and light aspect in the other.
Textures for materials
The textures chosen were a mix of medium tones which correlates to design of the monuments as a combined singularity.
The space between was developed to be precarious to suit the curvilinear monument as well as light to suit the frame for nature as it allows direct engagement with the enviroment
The rectilinear monument designed for framing nature can be seen to do so through the many rectangular and cubic voids in each element.
The curvilinear monument reflects the idea of architectural impermanence as it is located precariously in its environment providing an unstable nature. The constantly changing environment and erosion and weathering will inevitably change and move the monument over time.
Kisho Kurakawa - Architectural impermanence as a challenge to the idea of monuments
Axonometrics
Textures
The textures were designed to assimilate the ideals behind each monument which can be seen in the framing nature of one half and the heavy and light aspect in the other.
Textures for materials
The textures chosen were a mix of medium tones which correlates to design of the monuments as a combined singularity.
Lumion Model
The space between was developed to be precarious to suit the curvilinear monument as well as light to suit the frame for nature as it allows direct engagement with the enviroment
The rectilinear monument designed for framing nature can be seen to do so through the many rectangular and cubic voids in each element.
The curvilinear monument reflects the idea of architectural impermanence as it is located precariously in its environment providing an unstable nature. The constantly changing environment and erosion and weathering will inevitably change and move the monument over time.
Link to model
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